EGO ⋅ Klaus Obermaier with Stefano D'Alessio and Martina Menegon
In psychology the mirror stage describes the formation of the Ego via the process of objectification, the Ego being the result of a conflict between one's perceived visual appearance and one's emotional experience. This identification is what psychoanalyst Jacques Lacan called alienation.
The interactive installation EGO re-stages and reverses the process of alienation by enhancing and deforming the mirror image by the movements of the users.
Although an abstraction, it quickly becomes the self and reestablishes the tension between the real and the symbolic, the Ego and the It, the subject and the object.
“It is quite rare to see performance, psychoanalysis and technology come together
to produce such a sensitive and interesting result.”
AMUSEMENT.NET / ART & DESIGN
July 14 to August 19, 2018
POLYLUX - Positionen zur Medienkunst
Schloss Plueschow - Mecklenburgisches Kuenstlerhaus
Plueschow / Germany
August 10 to 13, 2017
Aura2017 Festival - Sintra / Portugal
July 12 to 16, 2017
Electric Castle Festival - Cluj-Napoca / Romania
November 3, 4, 7 and 8, 2016
KIKK international festival of digital and creative cultures
Namur / Belgium
December 2 to 4, 2015 (outdoor)
Effusion: code and meaning production, 2nd performing arts, science and technology forum
Centro de las Artes San Luis Potosi Centenario / Mexico
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Foyer of Markgrafentheater
Figurentheaterfestival Erlangen / Germany