lichtsicht – 3. Projektions-Biennale Bad Rothenfelde
Prof. Dr. Manfred Schneckenburger: Klaus Obermaier,
the concept of ... (here and now), Dancing House, YouShape
page 64-75, German
editor: Paul Anczykowski
publisher: Heinrich W. Risken-Stiftung, 2012
www.lichtsicht-biennale.deMedien, Kunst, TechnikBuehnentechnische Rundschau Sonderband 2011
Irmgard Berner: Fuer ein gemeinsames kulturelles Erlebnis,
Ars Electronica Futurelab und Klaus Obermaier erforschen Interaktionstechnologien der Zukunft.
page 70-74, German
publisher: Friedrich Berlin 2011
www.btr-friedrich.deRuhrlights: Twilight ZoneYvonne Ziegler: Klaus Obermaier - Social Patterns,
Doors Of Perception and The Concept Of ... (Here And Now)
page 72-77, German
editors: Soeke Dinkla, Karl Janssen, Karl-Heinz Petzinka,
Oliver Scheytt
publisher: Hatje Cantz 2010, RUHR.2010
www.ruhr2010.dePerformance, Technology & ScienceJohannes Birringer:
page 120-121 (D.A.V.E.)
page 184, 189 (Apparition)
page 192-193 (D.A.V.E., VIVISECTOR, Apparition)
publisher: PAJ publications, New York, NY 2008
www.cbsd.comTheatre and the Media - Grundlagen, Analysen, Perspektiven
Susanne Vill: Spielraume zwischen Medienkunst und virtueller Realitaet, Mediatisierung des Koerpers
(D.A.V.E., VIVISECTOR, Apparition, Le Sacre du Printemps)
page 468-470, German
editors: Henri Schoenmakers, Stefan Blaeske, Kay Kirchmann,
Jens Ruchatz
publisher: transcript Verlag, Bielefeld 2008
www.transcript-verlag.deInterface Cultures - Artistic Aspects of Interaction
Scott DeLahunta: Body Scenography - Klaus Obermaier transforms our perceptions through media performance
page 226-227, English
Klaus Obermaier: Interactivity in Stage Performances
page 257-264, English
editors: Christa Sommerer, Laurent Mignonneau, Dorothée King
publisher: transcript Verlag, Bielefeld 2008
www.transcript-verlag.deArchitettura & Teatro - Spazio, progetto e arti sceniche
Dialogo con Paolo Atzori, Piero Milesi, Klaus Obermaier, Paolo Rosa, Michele Tadini, Massimiliano Viel: Nuovi linguaggi, nuove tecnologie
page 170-180, Italian
A cura di Daniele Abbado, Antonio Calbi, Silvia Milesi
editor: Livia Sorio
publisher: il Saggiatore, Milano 2007
Intermediale kuenstlerische BildungKlaus Obermaier: Apparition / Immersive Medienperformance
page 112-118, German
editor: Iwan Pasuchin
publisher: kopaed (muenchen) 2007
www.kopaed.deA Companion to Modern British and Irish Drama 1880-2005Andy Lavender: Theatre and Technology (VIVISECTOR)
page 556-558, English
editor: Mary Luckhurst
publisher: Blackwell Publishing 2006
Simplicity - the art of complexityArs Electronica 2006
Klaus Obermaier: Music - Dance - Space,
The Visualization of Le Sacre du Printemps
page 303 - 304, 306 - 307, English/German
Ars Electronica Futurelab: The Visualization of Le Sacre du Printemps
page 302 and 305, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Hatje Cantz 2006
www.aec.atballettanz - Freiraeume, das Jahrbuch.06Klaus Obermaier: Hyperraum
page 44/45, German
editors: Hartmut Regitz, Arnd Wesemann
publisher: Friedrich Berlin Verlagsgesellschaft 2006
www.ballet-tanz.deLettre International 72Johanna Dombois: Scheinschwangerschaften. Neue Technologien im klassischen Musiktheater - Nahaufnahmen. (Apparition)
page 90, German
publisher: Lettre International Verlags GmbH, Berlin 2006
www.lettre.deIntermediality in Theatre and Performance - Themes in Theatre 2
Andy Lavender: Mise en scène, hypermediacy and the sensorium (D.A.V.E.)
page 55 - 66, English
editors: Freda Chapple, Ciel Kattenbelt
publisher: Editions Rodopi, Amsterdam - New York, NY 2006
a minima:: - 15, new media, actual art, digital transit
Apparition
page 46 - 51, Spanish/English
2006
www.medialabmadrid.orgLichtrouten 2004Below
page 48 - 49, 93, German
curators: Bettina Pelz, Tom Groll
edited: Luedenscheider Stadtmarketing GmbH 2005
www.lichtrouten.deTimeshiftArs Electronica 2004
Scott DeLahunta: Apparition
page 314 - 318, 444, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Hatje Cantz 2004
www.aec.atInteragir - avec les technologies numériquesNouvelles de Danse 52
D.A.V.E. web project
page 10, on CD-ROM, French
publisher: Contredanse, Bruxelles 2004
www.contredanse.orgUnPlugged - Art as the Scene of Global ConflictsArs Electronica 2002
VIVISECTOR
page 430 - 431, 445, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Hatje Cantz 2002
www.aec.atX-O Identities in the 21st CenturyIntermedium 2
D.A.V.E.
page 32 - 33, German/English
coordinators: Herbert Kapfer, Peter Weibel
2002
www.intermedium2.de... the body-filled space goes on and on, 1/5
D.A.V.E.
page 24 - 25, German/English
... the body-filled space goes on and on, 4/5
D.A.V.E.
page 12 - 19, German/English
curators: Elisabeth Schweeger, Martin Sturm
publisher: O.K Centrum fuer Gegenwartskunst 2001
www.ok-centrum.at Next Sex - Sex in the Age of its Procreative SuperfluousnessArs Electronica 2000
D.A.V.E.
page 296 - 299, 413, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Springer Wien, New York 2000
www.aec.at Festival der Regionen 1997Kunst.Ueber.Leben
page 6 - 7, 15 - 16, German
editor: Gerald Harringer, Festival der Regionen
1997
www.fdr.at Musik. Labyrinth. Kontext. - MusikperformanceMetabolic Stabilizers
page 132, German
editor: O.K Centrum fuer Gegenwartskunst
Sonderton, March 1995
www.ok-centrum.at Genetic Art – Artificial LifeArs Electronica 1993
The Cloned Sound
page 258 - 264, 234, 235, English/German
editors: Karl Gerbel, Peter Weibel
publisher: PVS Verleger 1993
www.aec.atThe World from Within – Endo & NanoArs Electronica 1992,
Immateriaux,
page 246, 259, English/German
editors: Karl Gerbel, Peter Weibel
publisher: PVS Verleger 1992
www.aec.at