digital scenography
30 years of experimentation and innovation
in performance and interactive media
Innovations in Motion-Tracking and Projection-Mapping:
Klaus Obermaier / page 79-103
a book by Néill O'Dwyer
published by METHUEN DRAMA
Bloomsbury Publishing Plc, Great Britain 2021

Seductions of Light
Media Art in Dialogue with Nature and Society
EGO - interactive installation
exhibition catalog
page 6/130-137, German/English
editor: Kornelia Roeder
Staatliches Museum Schwerin
published by Sandstein Verlag, Dresden / Germany 2021

POLYLUX, Positionen zur Medienkunst
DANCING HOUSE and EGO
exhibition catalog
page 20-23, German/English
editors: Kornelia Roeder, Antonia Napp
published by Foerderkreis Schloss Plueschow e. V.
Germany 2018

L+D luz | design | arquitetura
Imagens-Luz: Klaus Obermaier
text by Fernanda Carvalho
page 76-79
edition 69, July/August 2018
Editora Lumière, São Paulo

ERROR 404 - Territories of Absence
Exhibition catalog:
VISAGE R-0-R, interactive audiovisual installation
curator: Horea Avram, MNAC coordinator: Adriana Oprea
page 8, 32-35, Romanian/English
published by Muzeul National de Arta Contemporana
Bucharest, Romania 2018

lichtsicht 6 - Ten Years of 'Expanded Projections'
Klaus Obermaier: Dancing House
project 13, German/English
Artist texts:
Idis Hartmann, Manfred Schneckenburger, Peter Weibel
editor: lichtsicht ggmbh
Bad Rothenfelde 2017

Designs of our time - 10 years of designs of the year
Le Sacre du Printemps,
by Klaus Obermaier and Ars Electronica Futurelab
Nominated by Ross Phillips
page 156, 894-895, English
The Design Museum, London 2017

Theatrical Colloquia 22
Ioana Petcu: It Is All about Experience
interview with artist Klaus Obermaier
page 223-234, English
A experimenta e totul - interviu cu artistul Klaus Obermaier
page 87-98, Romanian
published by Artes Publishing House, at the George Enescu University of Arts
Iasi, Romania 2017

Vision Magazine
feature: Klaus Obermaier - Dance with Science & Technology
page 147-159
vision magazine #161, May issue
Hong Kong, 2016

The Performing Subject in the Space of Technology:
Through the Virtual, Towards the Real
The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier,
by Néill O'Dwyer
page 34-52, English
Edited by Matthew Causey, Emma Meehan, Néill O'Dwyer
Palgrave studies in performance and technology
Palgrave Macmillan London, 2015
palgrave.com

Ekphrasis – Creative Boycott:
Transgression, Counterfeit and Aesthetic Imaginary
Creative Rhymes of Interdisciplinary,
Aesthetic Negotiations of Identity –
Between Embodied and Disembodied Performance
by Laura Pavel
page 80-90, English
Vol. 13, Issue 1/2015
publisher: Accent Publisher Cluj-Napoca, 2015
Ekphrasisjournal.ro

Beyond the Display
Phenomenal Art and Design in the 21st Century
by Mika Iwasaka
Klaus Obermaier and Ars Electronica Futurelab: Apparition
page 138-141, Japanese and English
editor and publisher: Mika Iwasaka
Tokyo: BNN, 2015
www.shunkin.org

Ekphrasis – Images, Cinema, Theatre, Media
Urban Symphonies. Creating, Performing and Writing the Space in Cinema, Visual Arts and Literature.
Interview by Rodica Mocan (II):
Klaus Obermaier – »What interests me now, is how to bring people into environments in which they can participate«
page 234-243, English
Vol. 11, Issue 1/2014
Issue coordinated by Andrei SIMUT, Iulia MICU
publisher: Accent Publisher Cluj-Napoca, 2014
Ekphrasisjournal.ro

Light Works – experimental projection mapping
by Francesco Murano
Klaus Obermaier, Chris Haring:
D.A.V.E. – digital amplified video engine
page 54-55, English
publisher: ARACNE editrice S.r.l., Roma 2014

Ekphrasis – Images, Cinema, Theatre, Media
Recycling Images: Adaptation, Manipulation, Quotation in the Digital Age
Interview by Rodica Mocan (I):
Klaus Obermaier – »My work is not simply visualization.«
page 250-262, English
Vol. 10, Issue 2/2013
Issue coordinated by Horea AVRAM, Claudiu TURCUS
publisher: Accent Publisher Cluj-Napoca, 2013
Ekphrasisjournal.ro

Digital Creativity – Performance Art and Digital Media
Christopher Lindinger, Martina Mara, Klaus Obermaier, Roland Aigner, Roland Haring, Veronika Pauser:
The (St)Age of Participation: audience involvement in interactive performances.
page 119-129, English
Volume 24, Issue 2, 2013,
editors: Lone Malmborg, Julia Sussner
publisher: Routledge / Taylor & Francis, 2013
www.tandfonline.com

lichtsicht – 3. Projektions-Biennale Bad Rothenfelde
Prof. Dr. Manfred Schneckenburger: Klaus Obermaier,
the concept of ... (here and now), Dancing House, YouShape
page 64-75, German
editor: Paul Anczykowski
publisher: Heinrich W. Risken-Stiftung, 2012
www.lichtsicht-biennale.de

Klaus Obermaier – Monography
by Giorgos Stylianou 
Monography for the course Multimedia in Artistic Environments
University of Aveiro, Portugal
Department of Communication and Arts 
12 pages, English – 2011
www.scribd.com/doc/60107297/Klaus-Obermaier-Monography

Medien, Kunst, Technik
Buehnentechnische Rundschau Sonderband 2011
Irmgard Berner: Fuer ein gemeinsames kulturelles Erlebnis,
Ars Electronica Futurelab und Klaus Obermaier erforschen Interaktionstechnologien der Zukunft. 
page 70-74, German
publisher: Friedrich Berlin 2011
www.btr-friedrich.de

Ruhrlights: Twilight Zone
Yvonne Ziegler: Klaus Obermaier - Social Patterns,
Doors Of Perception and The Concept Of ... (Here And Now)
page 72-77, German
editors: Soeke Dinkla, Karl Janssen, Karl-Heinz Petzinka,
Oliver Scheytt
publisher: Hatje Cantz 2010, RUHR.2010
www.ruhr2010.de

Performance, Technology & Science
Johannes Birringer:
page 120-121 (D.A.V.E.)
page 184, 189 (Apparition)
page 192-193 (D.A.V.E., VIVISECTOR, Apparition)
publisher: PAJ publications, New York, NY 2008
www.cbsd.com

Theatre and the Media - Grundlagen, Analysen, Perspektiven
Susanne Vill: Spielraume zwischen Medienkunst und virtueller Realitaet, Mediatisierung des Koerpers
(D.A.V.E., VIVISECTOR, Apparition, Le Sacre du Printemps)
page 468-470, German
editors: Henri Schoenmakers, Stefan Blaeske, Kay Kirchmann,
Jens Ruchatz
publisher: transcript Verlag, Bielefeld 2008
www.transcript-verlag.de

Interface Cultures - Artistic Aspects of Interaction
Scott DeLahunta: Body Scenography - Klaus Obermaier transforms our perceptions through media performance
page 226-227, English
Klaus Obermaier: Interactivity in Stage Performances
page 257-264, English
editors: Christa Sommerer, Laurent Mignonneau, Dorothée King
publisher: transcript Verlag, Bielefeld 2008
www.transcript-verlag.de

Architettura & Teatro - Spazio, progetto e arti sceniche
Dialogo con Paolo Atzori, Piero Milesi, Klaus Obermaier, Paolo Rosa, Michele Tadini, Massimiliano Viel:
Nuovi linguaggi, nuove tecnologie
page 170-180, Italian
A cura di Daniele Abbado, Antonio Calbi, Silvia Milesi
editor: Livia Sorio
publisher: il Saggiatore, Milano 2007

Intermediale kuenstlerische Bildung
Klaus Obermaier: Apparition / Immersive Medienperformance
page 112-118, German
editor: Iwan Pasuchin
publisher: kopaed (muenchen) 2007
www.kopaed.de

A Companion to Modern British and Irish Drama 1880-2005
Andy Lavender: Theatre and Technology (VIVISECTOR)
page 556-558, English
editor: Mary Luckhurst
publisher: Blackwell Publishing 2006

Simplicity - the art of complexity
Ars Electronica 2006
Klaus Obermaier: Music - Dance - Space,
The Visualization of Le Sacre du Printemps
page 303 - 304, 306 - 307, English/German
Ars Electronica Futurelab: The Visualization of Le Sacre du Printemps
page 302 and 305, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Hatje Cantz 2006
www.aec.at

ballettanz - Freiraeume, das Jahrbuch.06
Klaus Obermaier: Hyperraum
page 44/45, German
editors: Hartmut Regitz, Arnd Wesemann
publisher: Friedrich Berlin Verlagsgesellschaft 2006
www.ballet-tanz.de

Lettre International 72
Johanna Dombois: Scheinschwangerschaften. Neue Technologien im klassischen Musiktheater - Nahaufnahmen. (Apparition)
page 90, German
publisher: Lettre International Verlags GmbH, Berlin 2006
www.lettre.de

Intermediality in Theatre and Performance 
Themes in Theatre 2
Andy Lavender: Mise en scène, hypermediacy and the sensorium (D.A.V.E.)
page 55 - 66, English
editors: Freda Chapple, Ciel Kattenbelt
publisher: Editions Rodopi, Amsterdam - New York, NY 2006

a minima:: - 15, new media, actual art, digital transit
Apparition
page 46 - 51, Spanish/English
2006
www.medialabmadrid.org

Lichtrouten 2004
Below
page 48 - 49, 93, German
curators: Bettina Pelz, Tom Groll
edited: Luedenscheider Stadtmarketing GmbH 2005
www.lichtrouten.de

Timeshift
Ars Electronica 2004
Scott DeLahunta: Apparition
page 314 - 318, 444, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Hatje Cantz 2004
www.aec.at

Interagir - avec les technologies numériques
Nouvelles de Danse 52
D.A.V.E. web project
page 10, on CD-ROM, French
publisher: Contredanse, Bruxelles 2004
www.contredanse.org

UnPlugged - Art as the Scene of Global Conflicts
Ars Electronica 2002
VIVISECTOR
page 430 - 431, 445, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Hatje Cantz 2002
www.aec.at

X-O Identities in the 21st Century
Intermedium 2
D.A.V.E.
page 32 - 33, German/English
coordinators: Herbert Kapfer, Peter Weibel
2002
www.intermedium2.de

... the body-filled space goes on and on, 1/5
D.A.V.E.
page 24 - 25, German/English
... the body-filled space goes on and on, 4/5
D.A.V.E.
page 12 - 19, German/English
curators: Elisabeth Schweeger, Martin Sturm
publisher: O.K Centrum fuer Gegenwartskunst 2001
www.ok-centrum.at

Next Sex - Sex in the Age of its Procreative Superfluousness
Ars Electronica 2000
D.A.V.E.
page 296 - 299, 413, English/German
editors: Gerfried Stocker, Christine Schoepf
publisher: Springer Wien, New York 2000
www.aec.at

Festival der Regionen 1997
Kunst.Ueber.Leben
page 6 - 7, 15 - 16, German
editor: Gerald Harringer, Festival der Regionen
1997
www.fdr.at

Musik. Labyrinth. Kontext. - Musikperformance
Metabolic Stabilizers
page 132, German
editor: O.K Centrum fuer Gegenwartskunst
Sonderton, March 1995
www.ok-centrum.at

Genetic Art – Artificial Life
Ars Electronica 1993
The Cloned Sound
page 258 - 264, 234, 235, English/German
editors: Karl Gerbel, Peter Weibel
publisher: PVS Verleger 1993
www.aec.at

The World from Within – Endo & Nano
Ars Electronica 1992,
Immateriaux,
page 246, 259, English/German
editors: Karl Gerbel, Peter Weibel
publisher: PVS Verleger 1992
www.aec.at